130310 FANMEETING FAN ACCOUNTS (Collated)
52 fan accounts in total
130311 AIRPORT/SAME FLIGHT FAN ACCOUNT
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| (Click to enlarge) |
PLEASE TAKE OUT WITH FULL CREDITS, INCLUDING TRANSLATORS. THANK YOU ^^
Showing posts with label 翻譯. Show all posts
Showing posts with label 翻譯. Show all posts
Tuesday, March 12, 2013
[中+ENG] 2013 FTISLAND @ Japan Fan-meeting (Fan reports)
PLEASE TAKE OUT WITH FULL CREDITS, INCLUDING TRANSLATORS. THANK YOU ^^
Friday, March 8, 2013
[NEWS-ENG TRANS] FNC artistes, why only release self-produced songs in Japan?
PLEASE TAKE OUT WITH FULL CREDITS, INCLUDING TRANSLATORS. THANK YOU ^^
(Disclaimer: The following article does not reflect the opinions of the translators, and so they do not take any responsibility for the content in the following article.)
Apart from the bonus track, Juniel's 1st regular album release in Japan is entirely made up of self-produced songs. Juniel, CNBLUE and FTISLAND are all artistes belonging to FNC Entertainment.
The purpose of the two bands, CNBLUE and FTISLAND, is to employ self-produced songs as their spindle for activities in Japan. Additionally, CNBLUE, which has debuted for 3 years, only recently released「I'm Sorry」, an album which has this self-produced song as the title. But FTISLAND, up till now, is still promoting and singing songs made by nationally famous composers. Despite this, they are not artistes who have no composing ability, so why is there such a situation?
Firstly, the Japan and local music markets differ from that which is widely accepted- that is the biggest reason. Japan's solo and mainstream (demand) are clearly defined. Whether it is to do solo activities or prioritizing on the mainstream, the processes are all very common. In Japan, the main idea for solo activities, especially for bands, is to make use of club performances to personally interact both ways with fans, the most straightforward approach. At the first live performance, they have to gradually expand their small fanbase, which they meet for the first time, and then interact and get close to the fans. In this way, they can attract fans with the reality of their music: This is what they need to do first. Personally performing in front of the fans only can be a little embarrassing or awkward, but they only need to rely on passion, and that can melt down the fans thoroughly.
In reality, this is one of the ways how Japan popularizes. Compared to the perfect group dances and vocal ability of K-pop artistes, this is why AKB48, which is likened to the standard of an elementary school talent show, would lose its popularity. The Japanese AKB48, instead of the perfect song or dance, appeals more to the audience's attention with their serious and hardworking image.
On the other hand, even if (Korean stars) are rookies, they will meticulously produce songs; never settling for less than a perfect stage.
When self-produced songs pale in comparison to ready-made songs by professional composers, being eliminated early on is an unavoidable situation, provided the judgement is fair.
What the majority accepts is vastly different. In reality, FTISLAND used distinctive rhythms and fast-paced self-produced songs like「Let It Go」and「Neverland」to dominate the Japanese song market.
J-Rock, in the ears of the Japanese majority, is very familiar. From the 90s' X-JAPAN and other mega-stars, this convergence has already become the norm. But to the local majority, this style is naturally unfamiliar. More or less, some semblance of back-datedness is also the truth.
After all, to be able to showcase a more mature musical stance in Korea, as the trend accurately points out, the method to survival is to completely ingest the ability to compose. Composer Kim Do Hoon, who has tailored trendy and popular hits for FTISLAND and CNBLUE, also abides by this similar reason.
In actuality, as aforementioned, apart from CNBLUE's recent new song, these three groups of people have yet to embark on activities for their self-produced songs. So their company uses the same publicity method, allowing the public to recognize that they are ever-hardworking. This is one obstacle which an artiste needs to overcome in order to attain growth.
ORIGINAL URL: http://star.mk.co.kr/v2/view.php?no=171245&year=2013&twit=y
CHINESE TRANSLATIONS BY @ChoiPuha
(Disclaimer: The following article does not reflect the opinions of the translators, and so they do not take any responsibility for the content in the following article.)
 |
| Photo: Star Today |
Apart from the bonus track, Juniel's 1st regular album release in Japan is entirely made up of self-produced songs. Juniel, CNBLUE and FTISLAND are all artistes belonging to FNC Entertainment.
The purpose of the two bands, CNBLUE and FTISLAND, is to employ self-produced songs as their spindle for activities in Japan. Additionally, CNBLUE, which has debuted for 3 years, only recently released「I'm Sorry」, an album which has this self-produced song as the title. But FTISLAND, up till now, is still promoting and singing songs made by nationally famous composers. Despite this, they are not artistes who have no composing ability, so why is there such a situation?
Firstly, the Japan and local music markets differ from that which is widely accepted- that is the biggest reason. Japan's solo and mainstream (demand) are clearly defined. Whether it is to do solo activities or prioritizing on the mainstream, the processes are all very common. In Japan, the main idea for solo activities, especially for bands, is to make use of club performances to personally interact both ways with fans, the most straightforward approach. At the first live performance, they have to gradually expand their small fanbase, which they meet for the first time, and then interact and get close to the fans. In this way, they can attract fans with the reality of their music: This is what they need to do first. Personally performing in front of the fans only can be a little embarrassing or awkward, but they only need to rely on passion, and that can melt down the fans thoroughly.
In reality, this is one of the ways how Japan popularizes. Compared to the perfect group dances and vocal ability of K-pop artistes, this is why AKB48, which is likened to the standard of an elementary school talent show, would lose its popularity. The Japanese AKB48, instead of the perfect song or dance, appeals more to the audience's attention with their serious and hardworking image.
On the other hand, even if (Korean stars) are rookies, they will meticulously produce songs; never settling for less than a perfect stage.
When self-produced songs pale in comparison to ready-made songs by professional composers, being eliminated early on is an unavoidable situation, provided the judgement is fair.
What the majority accepts is vastly different. In reality, FTISLAND used distinctive rhythms and fast-paced self-produced songs like「Let It Go」and「Neverland」to dominate the Japanese song market.
J-Rock, in the ears of the Japanese majority, is very familiar. From the 90s' X-JAPAN and other mega-stars, this convergence has already become the norm. But to the local majority, this style is naturally unfamiliar. More or less, some semblance of back-datedness is also the truth.
After all, to be able to showcase a more mature musical stance in Korea, as the trend accurately points out, the method to survival is to completely ingest the ability to compose. Composer Kim Do Hoon, who has tailored trendy and popular hits for FTISLAND and CNBLUE, also abides by this similar reason.
In actuality, as aforementioned, apart from CNBLUE's recent new song, these three groups of people have yet to embark on activities for their self-produced songs. So their company uses the same publicity method, allowing the public to recognize that they are ever-hardworking. This is one obstacle which an artiste needs to overcome in order to attain growth.
ORIGINAL URL: http://star.mk.co.kr/v2/view.php?no=171245&year=2013&twit=y
CHINESE TRANSLATIONS BY @ChoiPuha
Friday, January 18, 2013
[BLOGPOST部落格文] The Truth. 真相。
WARNING: 100% HONEST POST.
DON'T READ IF YOU CAN'T TAKE THE TRUTH.
((**中文版在下半部份))
For the first time since this blog started, I will use it to write some of my inner thoughts. It won't be a common occurrence, rest assured, but I think it is high time to explain what is happening.
Some people are concerned, some are angry, some are nonchalant and some are just being nosy. Whatever your reason for reading this, I don't care, and I will not ask. However, I would like to hear opinions at the end of this post, because this issue has cost me a lot of emotional time and lots of urging from friends to finally decide to do something about it.
Maybe at the end of this post, some people will hate me. But you know what? I'm not here for the popularity contest. It's fine with me if you hate me, talk behind my back or whatever, alright? It's a free world anyway.
Because at the end of the day, all that I've done is for FTISLAND.
Let me explain a little about myself and why I started translating for non-Chinese Primadonnas.
I'm a normal human being. I struggle with the same things as most of you: juggling studies, friendships, fandom, work and so on. A few years ago, someone introduced me to FT ISLAND by some stroke of luck and I was hooked right away. Until now, I've always been in the fandom even if my personal friends have all long deserted k-pop. Because I was in this fandom while they were in the bigger fandoms, I was alone, and I started off knowing no one. NO ONE.
Yes, you heard me right. Every single one of my friends were made only after I had joined into the Pentastick-waving troupe.
But because some of these Primadonnas are so nice to me, I decided to help out. I was able to read Chinese and understand properly, and so I started out by translating some fan accounts for my friends who were unable to understand Chinese. These were all done in private.
Slowly, I decided to help out some other people on my tlist who were not following my private account: I posted those translations onto my public account. And suddenly...
BAM.
My phone was spammed with mentions, retweets and so on. All of which was nothing I had expected. (Believe it or not =.=)
It began to escalate as magazine interviews, videos, news reports, etc., came and I felt like I wanted to translate for those people who didn't read Chinese. Slowly, the translation output became quite heavy and there was a point when I needed to carefully scrutinize and sift out those which were relatively irrelevant.
That's now besides the point.
The important thing about translations is that YOU DON'T OWN THE ORIGINALS. Moreover, if I translate from someone else, that someone has also done her part by spending time to read, understand and form complete sentences for the sake of others.
No matter what I (or anyone else, for that matter) translate, I always try to write the credits to the best of my ability. Because the problem of some people re-posting but always neglecting to write the credits, I've been frustrated. So in the recent months, I decided to type out the full credits below every translation I do, be it on my blog or on Twitter.
So even if there's some reason why anyone has to repost my translations, it really isn't too hard to copy-and-paste the credits (y'know, since you're already copying and pasting the translations, right?) onto wherever it's going.
You can call me a stickler, old-fashioned, a bitch or whatsoever. But I have my values. And I thought things were wrong enough for me to want to correct things.
About 70% of the time, I do translations from people whom I have genuinely tried to get to know. Some of them are really close to me, and so when I see that they are not given their justice, I get mad.
I believe EVERYONE would get mad at whoever bullies their friends, right?
So to be honest, this issue about crediting (which did NOT begin from me, there were many other examples before me) applies to many things as well: PHOTOS, VIDEOS, etc.
I believe I've made my point.
//
Q: WHY AM I WRITING THIS?
1. Because I want to make it known to as many people as I can, what I want. Don't take other people for granted. Not me, and definitely not the people who read something, found it interesting and wanted to share it.
2. If you think I'm here to shame anyone, that's not my point. As far as I'm concerned, I've removed all relevant online postings regarding this issue. I've collected enough data to shock many people, but I prefer to state everything properly here and NOT expose anyone. (And no, I'm not threatening anyone.)
Q: WHAT AM I GONNA DO FROM NOW ON?
Continue translating the way I was.
Q: AREN'T YOU WORRIED THAT THEY WILL STEAL STUFF AGAIN?
Quote a friend, "The Internet has its good side and bad side.. Even though (sic) if you know who stole it, what can you do..If they keep stealing your works, you couldn't do anything abt it, right.."
Yes. It's true. So now that I've made things clear with my full crediting, the person or people who still take translations without credits, you answer to your own conscience. Again, I will no longer pursue anyone who does such things. But beware, someone up there is watching you :)
//
CONCLUSION
It's high time someone dared to speak up instead of suffer in silence. Why don't you try to be at the receiving end of all this? Perhaps then it'll strike you how painful it really is.
Sincerely,
Lynn (@jh_ly)
P/S: If you're my Twitter follower and you don't like how direct I am, please feel free to unfollow. I don't think I need to explain anything about my character to anyone. Thank you.
DON'T READ IF YOU CAN'T TAKE THE TRUTH.
((**中文版在下半部份))
For the first time since this blog started, I will use it to write some of my inner thoughts. It won't be a common occurrence, rest assured, but I think it is high time to explain what is happening.
Some people are concerned, some are angry, some are nonchalant and some are just being nosy. Whatever your reason for reading this, I don't care, and I will not ask. However, I would like to hear opinions at the end of this post, because this issue has cost me a lot of emotional time and lots of urging from friends to finally decide to do something about it.
Maybe at the end of this post, some people will hate me. But you know what? I'm not here for the popularity contest. It's fine with me if you hate me, talk behind my back or whatever, alright? It's a free world anyway.
Because at the end of the day, all that I've done is for FTISLAND.
Let me explain a little about myself and why I started translating for non-Chinese Primadonnas.
I'm a normal human being. I struggle with the same things as most of you: juggling studies, friendships, fandom, work and so on. A few years ago, someone introduced me to FT ISLAND by some stroke of luck and I was hooked right away. Until now, I've always been in the fandom even if my personal friends have all long deserted k-pop. Because I was in this fandom while they were in the bigger fandoms, I was alone, and I started off knowing no one. NO ONE.
Yes, you heard me right. Every single one of my friends were made only after I had joined into the Pentastick-waving troupe.
But because some of these Primadonnas are so nice to me, I decided to help out. I was able to read Chinese and understand properly, and so I started out by translating some fan accounts for my friends who were unable to understand Chinese. These were all done in private.
Slowly, I decided to help out some other people on my tlist who were not following my private account: I posted those translations onto my public account. And suddenly...
BAM.
My phone was spammed with mentions, retweets and so on. All of which was nothing I had expected. (Believe it or not =.=)
It began to escalate as magazine interviews, videos, news reports, etc., came and I felt like I wanted to translate for those people who didn't read Chinese. Slowly, the translation output became quite heavy and there was a point when I needed to carefully scrutinize and sift out those which were relatively irrelevant.
That's now besides the point.
The important thing about translations is that YOU DON'T OWN THE ORIGINALS. Moreover, if I translate from someone else, that someone has also done her part by spending time to read, understand and form complete sentences for the sake of others.
No matter what I (or anyone else, for that matter) translate, I always try to write the credits to the best of my ability. Because the problem of some people re-posting but always neglecting to write the credits, I've been frustrated. So in the recent months, I decided to type out the full credits below every translation I do, be it on my blog or on Twitter.
So even if there's some reason why anyone has to repost my translations, it really isn't too hard to copy-and-paste the credits (y'know, since you're already copying and pasting the translations, right?) onto wherever it's going.
You can call me a stickler, old-fashioned, a bitch or whatsoever. But I have my values. And I thought things were wrong enough for me to want to correct things.
About 70% of the time, I do translations from people whom I have genuinely tried to get to know. Some of them are really close to me, and so when I see that they are not given their justice, I get mad.
I believe EVERYONE would get mad at whoever bullies their friends, right?
So to be honest, this issue about crediting (which did NOT begin from me, there were many other examples before me) applies to many things as well: PHOTOS, VIDEOS, etc.
I believe I've made my point.
//
Q: WHY AM I WRITING THIS?
1. Because I want to make it known to as many people as I can, what I want. Don't take other people for granted. Not me, and definitely not the people who read something, found it interesting and wanted to share it.
2. If you think I'm here to shame anyone, that's not my point. As far as I'm concerned, I've removed all relevant online postings regarding this issue. I've collected enough data to shock many people, but I prefer to state everything properly here and NOT expose anyone. (And no, I'm not threatening anyone.)
Q: WHAT AM I GONNA DO FROM NOW ON?
Continue translating the way I was.
Q: AREN'T YOU WORRIED THAT THEY WILL STEAL STUFF AGAIN?
Quote a friend, "The Internet has its good side and bad side.. Even though (sic) if you know who stole it, what can you do..If they keep stealing your works, you couldn't do anything abt it, right.."
Yes. It's true. So now that I've made things clear with my full crediting, the person or people who still take translations without credits, you answer to your own conscience. Again, I will no longer pursue anyone who does such things. But beware, someone up there is watching you :)
//
CONCLUSION
- I will continue to translate, so decide for yourself whether you want to read or not.
- You may also feel undisturbed by this post. Suit yourself.
- If you feel that this post has offended you or your friends, or for what other reasons I cannot think of, and you want to iron things out with me, please feel free to leave a comment along with an email address where I can contact you. Oh, but if you're being unreasonable (ie bashing or whatsoever), I just might screenshot what is sent to me and show anyone who's interested. Just for fun.
If you feel that you want/need to voice an opinion OR that you have questions to ask, please leave a comment.
I'll get back to you as soon as I can.
It's high time someone dared to speak up instead of suffer in silence. Why don't you try to be at the receiving end of all this? Perhaps then it'll strike you how painful it really is.
Sincerely,
Lynn (@jh_ly)
P/S: If you're my Twitter follower and you don't like how direct I am, please feel free to unfollow. I don't think I need to explain anything about my character to anyone. Thank you.
中文版
警告: 100%誠實文章。
無能接受真相就請勿閱讀。
自從開辦這部落格以來，首次將利用它描述我內心想法。這將不會是常有的徵兆，放心，不過本人認為現在就是解釋事情來龍去麥的好時機。
有些人擔心，有些人生氣，有些人默不關心，而有些人就是愛八卦。隨便您想讀這篇文章理由是什麼 我不會管，也不會過問。這篇寫完之後，我希望聽取大家的意見，因為這件事確實費了我不少的情緒與朋友們的鼓勵才會因此這樣公開。
或許讀完這篇，某些人會憎恨我。不過您知道嗎？我打從一開始就不是來比人氣的。 隨便您要不要恨我、在我背後叉刀等。反正這世界是自由的。
因為由始至終 所做的一切都是屬於FTISLAND的。
請讓我介紹一下自己 還有為非中華PRIMADONNA開始翻譯。
我是個普通人。大家所擔憂的事情，我也會擔憂：同時把學業、友情、迷妹活動、工作等打理好。幾年前，因一點點運氣，有人介紹了FTISLAND給我 從此就迷上了。至今，我一直都是FTISLAND迷妹 雖然我自己的朋友都離開K-POP了。因為我對迷妹FT而他們屬於比較大型的飯團隊，因此我一直就是單槍匹馬的 一開始也沒認識任何人。根本無人。
對呀 您沒聽錯。每一位PRI朋友都是進入小黃旗團隊再慢慢認識的。
但因為數位PRI親對我很用心，我決定幫忙他們。因為我學過中文 理解能力也算OK 因此我開始翻譯一些有趣的後記給不會中文的朋友們。起初這些都只是私下弄的。
慢慢地，我決定幫助其他(沒發嘍我祕密帳戶的)推特親故：我把翻譯都一一PO上公共帳戶。然後就突然⋯
嗙。
電話不停地响，回覆啊RT啊等等。這一切都無曾在我的預料中。(信不信由您 =.=)
這一切的一切便隨著雜誌專訪、視頻、新聞報道等與日俱增 而我依然認為我想要為不識中文字的人翻譯。漸漸的，翻譯容量變成太沈重而我還必須慎重考慮那些報道該翻、哪些不該翻。
但那已並非重點。
翻譯這事最重要的一點就是原文完全不屬於你。更不用說的就是 我如果是從別人的翻譯開始翻，那中間的人也負了責任：他花了時間閱讀、理解、造句子 都是為了別人的。
不論我(或其他人)翻譯什麼，我一定會盡最大的努力來說明出處與翻譯者。因為有些人一直想吧我的翻譯複製了又重PO也忘了寫出處與翻譯者，所以我也苦惱了很久。為了避免更多如此的情況，我甚至把相關出處都打在翻譯裡 不論是在推特或部落格上。
所以即使因某些因素某人必須把翻譯複製又重PO，連同出處也一起複製大概也難不到哪裡對吧？(既然都複製翻譯了對吧？)
你可以叫我老古董還是什麼的。不過我堅持我的價值觀。還有就是我已經到達那種認為事情太過over的境界了 所以我想把所有事都更正。
其實翻譯來源大概70％都是來自已經搭訕過的人。有些還特別與我親近 所以每當我看到他們遭受到不公平的對待，我會生氣。
相信各位也會為遭受欺負的朋友而生氣對吧？
所以說實在的，這盜譯事件(話說也不是從我而引起，在我之前都有好多例子)也當然會在其他事物上有相同的規律(如照片、視頻等)。
我相信我已經說到重點了。
//
問：為何寫這篇文章？
1. 因為我想告知大家，更多人知道我到底尋求什麼就最好。請別把別人當成是理所當然的。我不行，那其他把內容讀過了、覺得有趣的、想分享的人也不行。
2. 如果您認為我正在羞辱某人，那就看錯我重點了。對我而言，我已經自動刪除了所有相關這事件的網上文字等等。當然，我也收集了很多資料 足夠以嚇到很多很多人，不過我選擇先好好在這兒說 還有不暴露任何人。(不，我不是在恐嚇任何人。)
問：往後會如何處理？
繼續以前的翻譯。
問：你不擔心他們還會盜譯嗎？
朋友說了一句話：“網路有利也有弊。。即使你知道是誰偷了(翻譯)，你還能怎樣。。就算他們一直盜譯，你也能耐他們如何。。”
是的。是真的。所以既然我已經把我這裡的說清楚了，那些盜翻譯的人又不上出處或中間翻譯者，你們就最好是對得起自己的良心吧。還有，往後任何幹這種事的人 我也不會再追究了。不過你請注意喔，天上有人在盯著你唷 :)
//
結論
- 我會繼續翻譯 所以請您做好決定是否要繼續閱讀。
- 您也大可對這篇文章毫無感應。隨便您。
- 如果認為這篇文章冒犯了您或您的親故 或者是其他我想不到的原因，歡迎在下面留言並順便附上一個電子郵件地址 好讓我能與您連絡。噢，不過如果您蠻不講理，我可能會把寄給我的留言載下來給有興趣的人看。娛樂嘛。
如果認為需要發言意見 還是 有想問的問題，請留言。
我會盡快回復。
是時候某人敢於把心聲說出來了 不該是沈默中苦苦受難。不然您也試試看吧 遭受到這一切的一切？可能到時您才會明白這痛苦的滋味。
以上是,
小林 (@jh_ly)
P/S: 如果您是我的推特發嘍者並討厭我為人直率，請自行取消發嘍。我認為我無須對任何人為我的個性辯解。謝謝。
Sunday, November 11, 2012
[新聞中譯] 121108 FNC韓勝浩代表對FTISLAND的意見
轉載請注明翻譯者 謝謝^^
FTISLAND已經成為了亞洲頂尖韓流團體，2007年‘愛情病’出道並做出了許多主打歌 例如‘雷’、‘譃愛’、‘愛愛愛’、‘狠狠地’、‘我希望’、等等。
我遇見了FNC ENTERTAINMENT韓勝皓代表而他在以愛逗舞團為主的K-POP行業推入了新種愛逗樂團並製造了目前韓流前鋒的FTISLAND。我向他聽取了他們的過去、現在與未來。
“當時我從日本出差回來並看到年輕孩子們在那裡以樂團受到愛戴 然後就可以帶領樂團音樂。我就想了想，為什麼我們沒（樂團文化）？就如別人因為從小熱愛舞蹈而成為舞蹈演唱者，我一邊製造了FTISLAND一邊想讓喜歡樂器的孩子成為一個樂團。我不知道當時是不是不知道恐懼的意思，不過我有信心他們會是“100％成功”，所以我都沒去考慮到失敗。”
就如他的信心，FTISLAND出道時獲得了爆炸性的愛戴並在種種音樂節目上以出道主打“愛情病”三連星期獲得第一名。當然，新人獎都歸他們了。不過那期間只是暫時的。FTISLAND跟他們的不幸 渡過了很大很危險的時期。
想著這一切，他說“以首張專輯獲得大發真的很難 不過他們連續以‘愛情病’跟‘雷’做得很棒。然後因為第二專輯的軟弱回應，他們提早完成了活動並準備拍戲。但因為戲突然被取消，出現了無活動的空期。然後有位成員離開了而FTISLAND經歷了最艱難的時期。”
因為強大的艱難，FTISLAND在挫折後的回歸讓韓勝浩代表非常感動。
“一直想說他們如果不在亞洲站上前鋒他們就會無法生存，我們一直嘗試在海外出道而成果就是在韓國因為‘愛愛愛’再次獲得第一名，在日本ORICON排行榜第一名，還有武道館演唱會真的感動到我許多。我深深相信他們會做得很好但是看到事情都發生在我的眼前真的很刺激。”
他們確實是最頂級的韓流樂團不過因為FTISLAND是以愛逗樂團形象而出道，他們必須承受許多懷疑他們彈奏樂器的批評。關於這點，韓代表說，“其實有很多批評者說‘他們不會玩樂器’不過他們沒想過其實FTISLAND的技術退步了”還有“一位著名日本藝人曾在第一、二專輯預錄時稱讚過敏煥說‘他具有在任何國家成為最頂級（鼓手）的潛能’。”
接著“雖然現在誤解都沒了，但是以前的放送狀況就是只能讓樂團hand-sync演奏，觀眾對FTISLAND顯示了這門問題”還有“自然的，我認為在韓國建起一個樂團，他們必須穿著觀感衣裳而生活。我常常對他們說他們必須接受與享受它。他們在即將的未來裡會得到該屬的排名的。就因為如此，成員們在錄音時會自己彈奏樂器雖然沒人認得他們。”
是不是因為這個？人們對FTISLAND的態度正在改變。不像當初的批評偏見，他們對於FTISLAND演奏技術卓越進步表示了驚訝的反應。
“（經過了）許多演唱會跟錄音，我認為他們只能進步是一定的因為他們努力地練習。那沒有快捷方法也沒有回頭路。他們當然在韓國，也在亞洲有了許多發展 然後技術也就在當兒進步了許多。所以我們必須感謝有了很多觀感。如果他們無人氣，一年辦一次演唱會都會是難事。”
雖然他對列名為“壞蛋的第一個兒子”的FTISLAND給予許多愛，FTISLAND飯對韓代表表示失望 因為對後輩團體CNBLUE的不同待遇。
對於這點，他說“因為他們是公司的第一（藝人），一定只能出了很多差錯。我們才不過把FTISLAND那裡不足的給補貼在（CNBLUE）的活動裡不過我覺得飯們誤會了”並且加倍解釋說“不像其他藝人，FTISLAND想要更加自由 所以我們讓他們自己計畫自己的演唱會。不過如果有不足的地方，飯們就認為‘公司對他們不夠周到’。”
既然他經歷了那麼多以為了製造成功的韓流樂團FTISLAND，他對他們的目標想必也會很大吧。不過當我問起FTISLAND目標是什麼，韓勝浩意外地回答說“我要他們玩音樂玩得長長久久。”
“因為他們是我製作的第一個樂團，所以我認為如果他們用FTISLAND這個名字辦活動得很久很久，我會非常感恩。如果他們努力用功，不像舞蹈團，樂團可以繼續表演下去。所以即使他們在未來決定辦個人活動，我希望他們能繼續以FTISLAND辦活動。”
▶FTISLAND在韓勝浩代表眼力“意外的魅力
關於李洪基> “他非常喜愛小孩子。坦白說這是很意外的。因為他人很好動、很自在，我還以為他會覺得小孩子很煩人 但是我錯了。他常常對我抱怨 但是陪同我孩子玩耍的就是洪基。當我目睹他與我孩子玩耍時，我想到“他很善良，又擁有了跟孩子一般見識必須擁有的自在與善良”。”
關於崔鐘訓> “他的人很溫順而裝著很多眼淚。當大家挨罵時，都會是鐘訓在哭。如果我在罵人，如果看到鐘訓哭泣，即使我還有話想駡，他會讓我想要盡快結束。”
關於李在真> “飯們都知道 不過他對於工作與娛樂分的界限很清楚 也知道在任何場合怎麼去面對。雖然他看上去是很聽話的，但是讓人意外的是他會把心裡想說的話都說出來。我一直把他看成是幼小男孩但是有時會想說“他也變成男人了”。”
關於崔敏煥> “因為是忙內的關係 大家都似乎認為他很會撒嬌 但是他是最安靜穩重的一位。他會安安靜靜地守好自己的位置。真的沒很多像忙內的特徵。敏煥往後交女朋友時，可能我會因為他的態度改變而被嚇着吧？”
關於宋承炫> “我認為他是FTISLAND之中製造氣氛的那位。他善於交朋友。可能因為他是新成員 所以辛苦了他了，不過我認為他承擔得不錯。他是很單純很好的孩子。”
FTISLAND已經成為了亞洲頂尖韓流團體，2007年‘愛情病’出道並做出了許多主打歌 例如‘雷’、‘譃愛’、‘愛愛愛’、‘狠狠地’、‘我希望’、等等。
我遇見了FNC ENTERTAINMENT韓勝皓代表而他在以愛逗舞團為主的K-POP行業推入了新種愛逗樂團並製造了目前韓流前鋒的FTISLAND。我向他聽取了他們的過去、現在與未來。
“當時我從日本出差回來並看到年輕孩子們在那裡以樂團受到愛戴 然後就可以帶領樂團音樂。我就想了想，為什麼我們沒（樂團文化）？就如別人因為從小熱愛舞蹈而成為舞蹈演唱者，我一邊製造了FTISLAND一邊想讓喜歡樂器的孩子成為一個樂團。我不知道當時是不是不知道恐懼的意思，不過我有信心他們會是“100％成功”，所以我都沒去考慮到失敗。”
就如他的信心，FTISLAND出道時獲得了爆炸性的愛戴並在種種音樂節目上以出道主打“愛情病”三連星期獲得第一名。當然，新人獎都歸他們了。不過那期間只是暫時的。FTISLAND跟他們的不幸 渡過了很大很危險的時期。
想著這一切，他說“以首張專輯獲得大發真的很難 不過他們連續以‘愛情病’跟‘雷’做得很棒。然後因為第二專輯的軟弱回應，他們提早完成了活動並準備拍戲。但因為戲突然被取消，出現了無活動的空期。然後有位成員離開了而FTISLAND經歷了最艱難的時期。”
因為強大的艱難，FTISLAND在挫折後的回歸讓韓勝浩代表非常感動。
“一直想說他們如果不在亞洲站上前鋒他們就會無法生存，我們一直嘗試在海外出道而成果就是在韓國因為‘愛愛愛’再次獲得第一名，在日本ORICON排行榜第一名，還有武道館演唱會真的感動到我許多。我深深相信他們會做得很好但是看到事情都發生在我的眼前真的很刺激。”
他們確實是最頂級的韓流樂團不過因為FTISLAND是以愛逗樂團形象而出道，他們必須承受許多懷疑他們彈奏樂器的批評。關於這點，韓代表說，“其實有很多批評者說‘他們不會玩樂器’不過他們沒想過其實FTISLAND的技術退步了”還有“一位著名日本藝人曾在第一、二專輯預錄時稱讚過敏煥說‘他具有在任何國家成為最頂級（鼓手）的潛能’。”
接著“雖然現在誤解都沒了，但是以前的放送狀況就是只能讓樂團hand-sync演奏，觀眾對FTISLAND顯示了這門問題”還有“自然的，我認為在韓國建起一個樂團，他們必須穿著觀感衣裳而生活。我常常對他們說他們必須接受與享受它。他們在即將的未來裡會得到該屬的排名的。就因為如此，成員們在錄音時會自己彈奏樂器雖然沒人認得他們。”
是不是因為這個？人們對FTISLAND的態度正在改變。不像當初的批評偏見，他們對於FTISLAND演奏技術卓越進步表示了驚訝的反應。
“（經過了）許多演唱會跟錄音，我認為他們只能進步是一定的因為他們努力地練習。那沒有快捷方法也沒有回頭路。他們當然在韓國，也在亞洲有了許多發展 然後技術也就在當兒進步了許多。所以我們必須感謝有了很多觀感。如果他們無人氣，一年辦一次演唱會都會是難事。”
雖然他對列名為“壞蛋的第一個兒子”的FTISLAND給予許多愛，FTISLAND飯對韓代表表示失望 因為對後輩團體CNBLUE的不同待遇。
對於這點，他說“因為他們是公司的第一（藝人），一定只能出了很多差錯。我們才不過把FTISLAND那裡不足的給補貼在（CNBLUE）的活動裡不過我覺得飯們誤會了”並且加倍解釋說“不像其他藝人，FTISLAND想要更加自由 所以我們讓他們自己計畫自己的演唱會。不過如果有不足的地方，飯們就認為‘公司對他們不夠周到’。”
既然他經歷了那麼多以為了製造成功的韓流樂團FTISLAND，他對他們的目標想必也會很大吧。不過當我問起FTISLAND目標是什麼，韓勝浩意外地回答說“我要他們玩音樂玩得長長久久。”
“因為他們是我製作的第一個樂團，所以我認為如果他們用FTISLAND這個名字辦活動得很久很久，我會非常感恩。如果他們努力用功，不像舞蹈團，樂團可以繼續表演下去。所以即使他們在未來決定辦個人活動，我希望他們能繼續以FTISLAND辦活動。”
▶FTISLAND在韓勝浩代表眼力“意外的魅力
關於李洪基> “他非常喜愛小孩子。坦白說這是很意外的。因為他人很好動、很自在，我還以為他會覺得小孩子很煩人 但是我錯了。他常常對我抱怨 但是陪同我孩子玩耍的就是洪基。當我目睹他與我孩子玩耍時，我想到“他很善良，又擁有了跟孩子一般見識必須擁有的自在與善良”。”
關於崔鐘訓> “他的人很溫順而裝著很多眼淚。當大家挨罵時，都會是鐘訓在哭。如果我在罵人，如果看到鐘訓哭泣，即使我還有話想駡，他會讓我想要盡快結束。”
關於李在真> “飯們都知道 不過他對於工作與娛樂分的界限很清楚 也知道在任何場合怎麼去面對。雖然他看上去是很聽話的，但是讓人意外的是他會把心裡想說的話都說出來。我一直把他看成是幼小男孩但是有時會想說“他也變成男人了”。”
關於崔敏煥> “因為是忙內的關係 大家都似乎認為他很會撒嬌 但是他是最安靜穩重的一位。他會安安靜靜地守好自己的位置。真的沒很多像忙內的特徵。敏煥往後交女朋友時，可能我會因為他的態度改變而被嚇着吧？”
關於宋承炫> “我認為他是FTISLAND之中製造氣氛的那位。他善於交朋友。可能因為他是新成員 所以辛苦了他了，不過我認為他承擔得不錯。他是很單純很好的孩子。”
韓英翻譯： @FTIslandFacts
Friday, October 19, 2012
[NEWS+中文翻譯] FTISLAND's Lee Hongki is similar to actor Lee Hyun Woo? 李洪基與李炫雨非常相似？
PLEASE TAKE OUT WITH FULL CREDITS. THANK YOU ^^
轉載請注明翻譯者 謝謝^^
Extracted from The New Paper, Singapore (19 October 2012)
(Lee Hyun Woo) was taken aback to find out that some of the fans have compared him to Korean boy band FT Island's lead singer Lee Hong Ki.
當（李炫雨）得知有些飯拿他跟韓國男樂團FTISLAND主唱李洪基做比較時，他非常吃驚。
Looking surprised, Lee said that this was the first time that he had heard of netizens remarking upon his resemblance to the other Lee.
表情驚訝，李炫雨說這是首次聽說有網民說他跟李洪基長得很像。
He said, with a laugh: "Actually what we (he and Lee Hong Ki) have in common is that we both have been doing this (entertainment) for a very long time."
他笑著說：“其實我們（李洪基與他）的共同點就是 我們都在（演藝圈）做了很久了。”
"The difference is that he chose the path of a singer, whereas I chose the path of an actor."
“不同的是他選擇歌手的道路 而我選擇了演員的道路。”
"But I'm happy that people have said that I bear a likeness to him as he has become very popular."
“不過我還是很開心別人說我和他長得很像 因為他的人氣變得很高。”
"I just hope fans can see my appeal too."
“我只希望飯們也能看到我的吸引力。”
ORIGINAL SOURCE: THE NEW PAPER, SINGAPORE (19 October 2012)
出處：新加坡報紙 THE NEW PAPER（2012年10月19日）
PLEASE TAKE OUT WITH FULL CREDITS. THANK YOU ^^
轉載請注明翻譯者 謝謝^^
轉載請注明翻譯者 謝謝^^
Extracted from The New Paper, Singapore (19 October 2012)
(Lee Hyun Woo) was taken aback to find out that some of the fans have compared him to Korean boy band FT Island's lead singer Lee Hong Ki.
當（李炫雨）得知有些飯拿他跟韓國男樂團FTISLAND主唱李洪基做比較時，他非常吃驚。
Looking surprised, Lee said that this was the first time that he had heard of netizens remarking upon his resemblance to the other Lee.
表情驚訝，李炫雨說這是首次聽說有網民說他跟李洪基長得很像。
He said, with a laugh: "Actually what we (he and Lee Hong Ki) have in common is that we both have been doing this (entertainment) for a very long time."
他笑著說：“其實我們（李洪基與他）的共同點就是 我們都在（演藝圈）做了很久了。”
"The difference is that he chose the path of a singer, whereas I chose the path of an actor."
“不同的是他選擇歌手的道路 而我選擇了演員的道路。”
"But I'm happy that people have said that I bear a likeness to him as he has become very popular."
“不過我還是很開心別人說我和他長得很像 因為他的人氣變得很高。”
"I just hope fans can see my appeal too."
“我只希望飯們也能看到我的吸引力。”
ORIGINAL SOURCE: THE NEW PAPER, SINGAPORE (19 October 2012)
出處：新加坡報紙 THE NEW PAPER（2012年10月19日）
PLEASE TAKE OUT WITH FULL CREDITS. THANK YOU ^^
轉載請注明翻譯者 謝謝^^
Sunday, October 14, 2012
[中譯] 120609 FTISLAND PLAY！演唱會 泰國曼谷站 記者招待會訪問談
轉載請注明翻譯者 謝謝^^
大家：（泰語） 大家好 我們是FTISLAND。
首先，恭喜你們昨天（6月7日）出道第五年。
大家： 謝謝你。
你們在來泰國之前是否做了特別的事來慶祝呢？能不能說說看5週年派對上做了什麼？有趣嗎？
承炫：我們只是6月2日開了個派對 很好玩。其實我們最近有了很多行程所以沒辦法在來這裡之前好好慶祝。所以我們會把明天舉辦的演唱會當作是5週年派對。
這五年一路來 團員們怎麼改變了？
鐘訓：這5年內，我們變了不少。例如 臉蛋跟外貌、我們的風格、還有就是我們成熟了許多。每年推出的專輯都大有進步，再加上我們在公演時若出了問題或差錯，我們會比以前懂得怎麼去應付。
出了問題時通常由誰解決問題？
敏煥：FTISLAND是個樂團。當一個人出錯了，大家都會受到影響。以前當有人出錯了，其他人會喊“誒～那錯了!”。不過現在我們會互相幫助並繼續彈奏 好像沒事發生過一樣。
這5年以來，FTISLAND一直都得到了許多PRIMADONNA的支持。是否有過某種活動讓大家印象深刻、難以忘懷？
洪基：我不想選某個活動或人物因為世界各地的飯都對我們來說是很重要的。當我們去不同的國家，當地的飯都會以不同的方式迎接我們。有些是以強悍的方式，而有些有點害羞，所以我不想選擇任何一種。
心裡有話想說嗎？
承炫：敏煥有話要對大家說。
敏煥：我覺得數字（出道幾年）不重要，重要的是對我們很特別的我們一同的工作方式。我想感謝這5年以來一直支持我們的每一位飯，因為沒有我們的飯就沒有今天的FTISLAND。還有就是謝謝你們喜歡跟愛護FTISLAND：不管是我們的歌曲或我們所做的事，你們都會為我們打氣還有給予許多的愛。所以我想感謝各位飯。
在泰國有想做但還沒做到的事嗎？
承炫：每次來到泰國就會從飛機上看到大海。我曾經去過泰國的海灘但是沒去帆船，所以如果有機會的話，我想去海灘放輕鬆、帆船跟捕魚～
鐘訓：其實去到哪個國家時，去去市場就會看見那國家的文化與生活方式。所以我想去市場找找美食來吃還有買土產給我的朋友們。
在真：我想交交（與我同年齡的）泰國朋友。我想知道在泰國跟我同年紀的人都在做什麼、怎麼生活，所以我想交泰國朋友。
洪基：我來過泰國許多次了不過都只是為了工作 哪兒都沒去過。所以我想參觀一下整個泰國還有在百貨商店買東西還有！我想騎大象！如果有機會，我一定要去！！～
敏煥：最近鐘訓哥喜歡把自己曬黑不過我不想被機器曬黑所以我想去海邊把自己曬黑。
除了新專輯以外，你們最近都在做什麼呢？
洪基：最近我們的承炫正在準備音樂“開膛手傑克”。我希望大家能看這部戲因為它很有趣，還有我們的韓語專輯很快就會發行了。我們正在準備新的專輯。總而言之，請繼續支持我們⋯（洪基說到一半突然說起日語了）說了日語很抱歉，因為在來泰國之前交了新的日本朋友 所以不小心就說起日語了。
聽說鐘訓常常以泰文發推：就說上次泰國嚴重洪水時，他用了泰文表示了對泰國洪水的關心並且以泰文對泰國PRIMADONNA問好 讓飯們都感到驚喜與敬佩。對於怎麼寫泰文，你有何技巧呢？
鐘訓：我很感謝推特因為我們不同國籍的人不容易勾通，不過這樣一來，我可以以推特告訴飯們我在想什麼還是我的感受如何。我讀了飯們發給我的推，然後也會問問他們怎麼回答才會讓飯們敬佩。所以飯們跟我說了 我就會複製並再次推給所有飯們。因為以前都用了翻譯工具來翻 不過都無法理解 所以我需要請教飯的幫忙而她們每次都會幫到我。
是否有成員想認真地學好泰語？
承炫：我真心很想學好泰語。每次去到不同的國家時都會很想學好那國的語言以便與大家勾通。既然我一直來到泰國，我很想學好泰語。
你們到目前還一起住同一間宿舍嗎？能不能分享你們怎麼生活在一起 還有說說你們房間怎麼分配呢？
洪基：我們上個星期五剛搬去新宿舍。我跟鐘訓一起住，而3個弟弟一起住。我們都住在同一座大廈 只是不同樓。以前，我們在同一個宿舍住上7～8年。那是很久的時間 而5個男人一起住時，多多少少有點不自在還有就是完全沒有隱私，所以我們不久前搬了宿舍 然後就有了更多的自由空間。
接著，是否有成員有奇怪的睡覺習慣？
洪基：除了在真以外，大致上沒有⋯⋯當他睡覺時，會一直動 影響我的睡眠，不過我們搬了宿舍後 彼此被分散了後，不知不覺地想念他的睡覺習慣了 哈哈。
成員之間 誰吃得最多？還有 那位吃多少？為了保持身材，有沒有什麼技巧呢？
洪基：（指著敏煥並抓自己的腹部）其實敏煥並不是那樣的瘦，他的身體有著看不見的脂肪。他是成員內吃得最多的人不過他的手腳也附有許多肌肉，因為他是鼓手而鼓手必須利用手腳的力量。還有，鐘訓最近在運動所以非常地健壯。承炫與在真從一開始就瘦瘦的，而我，我有點肥胖，哈哈哈哈哈。
鐘訓正在鍛鍊肌肉，是否有何技巧？
鐘訓：沒有任何技巧，只不過當你在運動時一定要努力爭取所以才能得到健壯的身體。
聽說在真與敏煥不能吃太辣的食物，像是TOM－YAM－KOONG（泰式酸辣湯）。那麼來泰國時，最喜歡吃什麼菜？
在真：（與敏煥一同否認無能吃辣食）我喜歡吃咖哩粉炸螃蟹與PAD－THAI（泰式干炒粿條）。
洪基：面，面也是～
敏煥：我也喜歡咖哩粉炸螃蟹，不過我不能吃太辣雖然我愛吃辣食＝.＝
鐘訓：我非常愛TOM－YAM－KOONG。飯們都會送我TOM－YAM－KOONG味的MAMA（泰式拉麵）。我喜歡在家裡自己一個人時吃這些。
在真看起來已經吃了PAD－THAI了。味道如何？還有其他喜歡的嗎？
在真：我喜歡咖哩粉炸螃蟹與PAD－THAI。我也喜歡吃甜糯米配芒果（泰國甜點之一）與泰國的水果，例如山竹。
所以現在來到泰國了，吃到了最喜歡的菜了嗎？
洪基：還沒，因為我們沒時間 不過我也不能吃辣辣的TOM－YAM－KOONG！
那我們會弄點不辣的TOM－YAM－KOONG給你品嘗。
洪基：哈哈哈 好的～～
不管FTISLAND來泰國拜訪幾次，你們都會一直給飯們留下深刻的印象。2012年FTISLAND演唱會PLAY!FTISLAND曼谷場會不會帶來什麼特別與不同的呢？
洪基：明天演唱會的主題是‘FREESTYLE’（自由式）：你們想做什麼都可以而FTISLAND也會盡全力，不過請不要拍照～
有沒有帥氣的話想對明天將會出席演唱會的泰國PRIMADONNA說呢？
承炫：我覺得很興奮還有昨晚無法入眠就因為興奮。我想明日盡快到來～～～還有我一直在想怎樣彈奏才會讓大家與我們享受得更多 還有我希望明天會有很多飯會來參加我們的演唱會 :D
在真：FTISLAND明天會盡力以讓大家的臉上都露出笑容所以我們明天盡情地玩樂吧！
敏煥：我會盡力與大家享受的，如果在之前沒暈倒。然後我會盡力～～～
洪基：我很興奮～明天將會是最棒的演唱會。我們好久沒來泰國的所以我們一起盡力享受明天吧。還有你們明天什麼都可以帶，唯獨照相機不行 :］（注：演唱會不准照相機入場）
鐘訓：已經很久沒來泰國了，明天將會是最好玩跟最強大的演唱會。我不想讓明天的記憶被時間沖走，所以我會試著常常來泰國。
泰英翻譯： @nerdywawa
中英翻譯： @jh_ly
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